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VINTAGE
SOUND AMPS
Now
available in Australia, direct from Musical City
Every guitar player, whether gigging professional
or amateur enthusiast, seeks that warm, rich, bright, vintage tone.
Vintage Sound Amps is located in Gulf Breeze, Florida,
USA. Their philosophy in amp building is very simple - they strive
to build the cleanest sounding amplifier using vintage Black Face
AB763 specifications (with modifications) using the best components
available today.
They hand pick true vintage amplifier chassis and
transformers and point to point hand-wire them with the best new
components for smooth, reliable operation. They use Mojo cabinets,
Sprague caps, Carbon Comp resistors, Ruby tubes, and your choice
of Weber speakers. Every amplifier they sell comes with a vintage-style
Black two button footswitch, new amp cover, and signed and dated
tube chart on the inside of the cabinet.
Check out the amplifiers for sale and we guarantee
your ears will thank you when they hear those smooth, buttery tones!
Vintage Sound custom amps were inspired by the
mid '60s Black Face AB763 circuitry. The Vintage Sound Classic is
the size and output of a Vintage Deluxe Reverb with a tremolo mod
and a mid volume control to help dial in just the right tones. The
Vintage Sound VS410 is the size and output of a Vintage Super Reverb
with a tremolo mod and a mid volume control mod to help dial in
just the right tones. The amps are built using Mercury Magnetics
hand wound Tone Clone transformer sets and are all hand wired point-to-point
using solid vintage push-back cloth covered wire, carbon comp resistors,
Sprague Electrolytics, Blue Atom Filter caps and Orange Drop capacitors.
The Vintage Sound Classic is housed in a custom built solid Cherry
Wood furniture quality 1X12 cab built by C.A. Ross Company and the
Vintage Sound VS410 is housed in a 4X10 finger jointed MOJO cab
in rough Blonde Tolex with Oxblood grill cloth or your standard
Black with Silver grill cloth. All of the amps come with Weber speakers,
custom face plate, amp cover and two button footswitch.
Vintage Sound Custom Amplifiers Price List.
| Vintage Sound Classic |
Custom 1x12 Combo |
Solid Cherry Wood |
$3850.00 AUD* |
| Vintage
Sound VS112 |
Custom 1x12
Combo |
Blonde Tolex
w/Oxblood |
$3450.00
AUD* |
| |
|
Black Tolex
w/Silver |
$3450.00
AUD* |
| Vintage Sound VS212 |
Custom 2x12 Combo |
Blonde Tolex w/Oxblood |
$3650.00 AUD* |
| |
|
Black Tolex w/Silver |
$3650.00 AUD* |
| Vintage
Sound VS210 |
Custom 2x10
Combo |
Blonde Tolex
w/Oxblood |
$3540.00
AUD* |
| |
|
Black Tolex
w/Silver |
$3540.00
AUD* |
| Vintage Sound VS410 |
Custom 4x10 Combo |
Blonde Tolex w/Oxblood |
$3790.00 AUD* |
| |
|
Black Tolex w/Silver |
$3790.00 AUD* |
| Vintage
Sound VS115 |
Custom 1x15
Combo |
Blonde Tolex
w/Oxblood |
$3540.00
AUD* |
| |
|
Blonde Tolex
w/Oxblood |
$3540.00
AUD* |
|
| * Prices accurate at time of publishing
but maybe subject to change without notice. |
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REVIEWS
 "My
Twin continues to crank out super volume and tone - I love this
amp! I recently got a vintage '65 Fender Jazzmaster body and most
of the original electronics and hardware. I restored it as best
I could back to its original condition, giving it a new neck, Seymour
Duncan Antiquity II pickups and a period-correct nitro lacquer paint
job in Daphne blue. The amp and guitar sound superb together. I
can't thank you enough for crafting such a great amp - I challenge
anyone to show me a vintage, pure-stock mid-60s AB763 amp from Fender
that surpasses the tone and soulfulness of my VS Twin Reverb. Can't
thank you enough!"
 "I
have been playing 47 years...Pro for 40, touring Pro for 35. I own
and have owned the following brands of guitars, amps, sound equipment,
and effects: Gibson, Fender, Ken Smith, Sadowsky, JBL, Tom Anderson,
Guild, Gretch, Martin, Taylor, Marshall, Ampeg, Matchless, Vox,
Hammond, Jones, Peavey, SWR, Demeter, Acme, Stewart-World, Crown,
Yamaha, Evantide, Lexicon, Boss, DigiTech, and more.
If this amp ever turns up missing, the first thing
that I'll do is call Rick at Vintage Sound, and have him start building
me another one. I'm probably going to have him make me one of his
Silverface to Blackface Super conversions as well. His stuff is
priced about the same as Fender's re-issue stuff, and performs beyond
anyone's custom shop level.
I love everything about this amp. The only thing that
I hate about the amp is the weight, and it's actually lighter than
the original...(due to the fingerjointed Pine cabinet by Mojo.)
These amps weigh a lot. No great amp is light.
There is nothing to compare this with if you want
true, original Twin Reverb sound. NOTHING! I've owned the original
'65 Twin Reverb, and it didn't sound this good."
ARTISTS
 "I
just upgraded the two Blackface Recreation Super Reverb amps I bought
from Rick of Vintage Sound Amps, Inc. with two of his VS410s.
The sound of the Black Face Recreation Super Reverbs was so incredible!
The day I got my first Super Reverb, I plugged in my Telecaster
and was speechless. I just couldn't believe the amps tone and fatness,
nothing like the supers I had 20 years ago. I had to have the pair
so; I called him up and ordered another. The combination of Weber
speakers used and top quality parts makes his a superior amp. Rick
built me two custom VS410s in Blonde Tolex with Oxblood grill
cloth and the sound was even tighter than the Black Face Recreation
Super Reverbs. I had to have them so I traded in the two Super Reverbs
I had initially purchased from him. Ricks care and professionalism
is put into each product and on top of that he's a great guy. When
you need and amp and want TONE Rick is the man!"
Danick Dupelle
Emerson Drive
"Let
me just start this by saying that these amps by far are the most
beautiful sounding amps I have ever heard. I have played vintage
Fender Twins , and or Super Reverbs all my life. They have tried
to get me to switch to very expensive "boutique" amps
to no avail. I never thought that anything made in the modern age
would even come close to make me reconsider. So I had pretty much
surrendered to the idea that I was set as far as amps go. Then here
comes Rick with his "Vintage Sound" Amps. Well, I must
admit that I was at least curious.
So,
I spoke with Rick on the phone and set up a meeting in Nashville.
Rick is very passionate about what he does and that came through
in our conversation. The fact that you can actually get "the"
guy that actually makes these things on the phone, was a big selling
point for me. Well the big day came around and we set up in a room
at the rehearsal place called "Soundcheck". Jan, from
"Soundcheck" was kind enough to let us use a room for
a couple of hours to try these babies out. Now, I must say, that
right from the start you fall in love. These amps are beautiful
to look at. The VS "Classic" with the cherry wood cabinet
truly looks like something from another era. Meanwhile, the "blond"
VS-410 is simply gorgeous. Now, as good as they looked, I still
had not plugged in. I had no idea what they were going to sound
like. I was just hoping that they would sound as good as they looked.
Mind you, this whole time Eddie Perez, my buddy who
is now out with Dwight Yoakam was with me. I wanted to bring him
along to have a second opinion. After all, it couldn't hurt to have
someone there with the skill and the experience that Eddie has.
Besides, musicians are always looking for the next great piece of
gear, whether it be an amp, or a pedal, or whatever. We are always
in search for good tone. And since old amps are getting harder and
harder to come by, and becoming more expensive to work on, these
amps may be at the very least, part of the solution. Or as it turns
out for me, "the" solution.
Well,
the moment of truth had arrived. It was time to plug in and really
find out what these things are all about. I pulled out my beautiful
1965 Fender Jaguar (it has become my favorite guitar ever!) and
plugged straight into the "blond" VS-410. Now, I have
to tell you that in the past whenever I have plugged my guitar into
a "new" amp, sometimes it has provoked a violent reaction
leading to costly repair bills and my continued disgust and contempt
for all things made in the modern age. (In my humble opinion, most
new things, with the exception of the ipod...suck!) I did, however,
have a feeling that this was going to be different. And boy was
I right. I turned the volume up and hit the fattest, warmest, most
delicious sounding "Em" chord I have ever heard! This
was it!! This was my amp!! At last my faith had been restored even
if for a moment!!
I like my amps to be clean and clean these things
are. Not only do they have plenty of "head" room, but
the tones are in the right place. The "low" end is never
lost or mushy or too much for that matter. And the highs are never
brittle. The "Weber" speakers that Rick has carefully
chosen for his amps give you plenty of definition and attack, all
the while giving you this warmth that until this day I thought was
unattainable. His mid-range mod of 25k is a very useful tone. His
tremolo and reverb would make Leo Fender proud. However, as good
as this amp sounded in this perfectly controlled environment, the
true test comes with a concert situation. That was still to come.
As I fell in love with this amp, I asked Rick to make
me another one as I like to play in "stereo". I don't
use any pedals. But I do run both amps through my "Fulltone"
Tube-Tape Echo in "stereo" mode #2...WOW! What a sound.
I'm not much of a guitar player really. I pretty much play two licks
all night long, but I'll be damned if they are not going to sound
good. Luckily, Rick was able to finish the second one in time for
my Texas run.
My
first date with my new amps was at the oldest dance hall in Texas-
Gruene Hall. This is a great sounding room with wood all around
and no walls to make the sound bounce around in. And we were doing
two nights so I would really get to hear these babies. Well, right
at "sound check" in the afternoon, my tour manager/ sound
engineer, Ozzie, was in love with the sound of my amps. He described
them as "beautiful" sounding. Now trust me when I say,
he doesn't describe anything as such. It's just not in his nature.
So for him to comment like that, I knew I had made the right choice
in amplifiers. As soon as the show started and I hit my opening
chords I knew I was going to have a good night. The tone that I
had been searching for all my life was here...right behind me! The
next night was more of the same blissful relationship with my amps.
The band also noticed a big difference and we seemed
to "jam" a little bit more than usual. I actually started
to take some solos in places that I never did before. I have never
had an amp that has made me want to play as much as these do. Think
about it...to have in your possession a piece of gear that inspires
you to play and play is priceless. And to have somebody like Rick,
with loving support from his wife, Jeannie, take the time to make
these things so that we(musicians) can go out there and do what
we do, to me is something I thought was lost and gone forever. It's
nice to know that days gone by, are still here. We may have to search
high and low, and we may have to pay, but it is money well-spent...guaranteed!
As the old saying goes..." you get what you pay
for". I think here the correct saying is "you get more
than what you pay for". Certainly, the quality of these amps
alone is worth every penny, dime, and nickel. Not that I think they're
expensive... I don't. There are many "boutique" amps with
"boutique" prices that don't even come close to displaying
the quality and craftsmanship that ooze out of these amps. Then
you get to deal with Rick, who is knowledgeable and passionate about
his product, and a heck of a nice guy and realize that everything
is going to be alright...You have great tone!!"
Thanks so much,
Raul Malo
Website
MySpace
page

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